Richard tells the FLIC story.
My name is Richard Twyford, a flute enthusiast, and passionate amateur flute player… and an otherwise busy maker of useful things.
Preferably out of wood.
I live in the countryside outside of Johannesburg , South Africa.
I got my first flute 35 years ago on a whim, after watching the Mozart G major one night in London. It was a very old and very cheap Artley I found in the classifieds – in hind-sight, perfectly good for its purpose.
I was anyway a delusional Jethro Tull ‘nut’ who thought a flute was like an easy-to-play overgrown ’ penny-whistle’ kind of thing.
I found a teacher but refused to take her strict advice about caring for my flute. I wouldn’t clean it, inside or out, or pack it away. I confess that I treated the poor instrument abominably.
The poor flute stayed out 24 hours a day on the kitchen shelf next to the stove in my small bachelor apartment.
I played it all the time. I played it over evening beer and I played it over sugary morning coffee and whenever I walked passed it. I played it while the bacon sizzled in the pan, putting it down on a cold plate only to flip the eggs, and occasionally even wiped it down with a dish cloth.
Frustrated by persistently sticky pads and mechanism, not to mention tarnish. I blamed the flute for it’s inferior quality and eventually gave the thing away in disgust.
But at least I played it !
8 years ago I bought a new flute and decided to take it seriously.
I knew I had to do it right this time. I had to surrender to the music and to a teacher and to listen and learn. AND look after my valuable instrument !
But my precious early disaster had left one very strong conviction … being able to play daily and often and whenever I possibly could was GOOD.
And so experimentation began and continued over the next 2 years. With countless different materials, design and prototype testing, and much trial and error, FLIC became a practical reality.
Three Ideas were clear.
FLIC has made this practical and possible.